During the late 19th century,
cities in America were starting to grow as cultural and financial centers of
the country. America as a whole was becoming more urbanized. Even families in
rural areas were able to buy food or even houses from catalogs which reduced
the need for agriculture. Because of the rapid growth of industry and
technology and the spike in economic wealth in the middle class, people had
more leisure time and more money
to spend on entertainment. Places meant purely for recreational purposes such as Coney
Island or Central Park started popping up all over cities. One thing that men
and women enjoyed for recreation was silent films. Silent films were popular
from the late 19th century to the 1930s. While silent films were just meant for
entertainment, they actually influenced society and culture.
The
earliest silent films were made in France by the Lumiere Brothers. (Tonya Howe)
Silent films started out as short picture shows called "Nickelodeons"
and developed into long epics such as "The Birth of a Nation" directed
by D.W. Griffith. The silent film industry was working hard to disassociate itself
from these nickelodeons and vaudeville theatre. In an article called "The
Silent Era", the author Tonya Howe talks about how film and film
technology spread from Europe to the east coast of America in New York City and
in New Jersey, and spread even further west to Hollywood from there. There was
a decline in competition from the Europeans because of World War I.
Silent
films were played in theatres ranging from small store front theatres to huge “picture
palaces” that could seat a thousand people. Smaller theatres were much more
common than the large picture palaces. There were about 15,000 silent film
theatres in the United States and on average, cost about 10-25 cents for
admission. One very large theatre in New York City called the Roxy Theatre
seated 6,214 people. Tonya Howe talks about how Silent film theatres’ main aim
was to make family-friendly, clean, and safe places for middle-class audiences.
Howe says a typical 1920s bill at a theatre would have included a musical overture,
a news weekly,
a lantern slide show, a live revue, a brief comedy or novelty film,
and finally a feature film. Theatre owners decided to start and end programs at
a specific time so that they could have better audience turnover. Silent film
theatres also created jobs for people. “Descriptive talkers” or “lecturers” were
hired to narrate the films and sometimes these narrators would improvise dialogue
that was not supposed to be included in the movies. The use of lecturers did
die out though because as the feature film industry became more popular and
centralized and the use of title cards for dialogue became more prevalent.
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Musicians
also had more job opportunities because of silent films. Silent films were far
from silent. The films were accompanies by either a single pianist or reed
organist or a full orchestra in large picture palaces. Silent films also
created more business for sheet music companies. Howe talks about how these
companies made music that could be appropriate for different scenes in the
films so that musicians could choose the music that best fit what was happening
in the movie. Howe also talks about how these silent film musicians (especially
the soloists) had to be experts on reading visual cues in the movies and
improvising on the spot. As feature films became more popular, musical music
choice not as flexible. Feature films came with their own musical scores and
cue sheets for certain scenes.
According
to the article by Tonya Howe, the more popular that silent film industry got,
the more there was a need for standardization. The Motion Picture Patents Company
was established to do just that. They worked towards standardization by giving
patents to film makers and licenses to theatres so that they could play
patented films. The Motion Picture
Patents Company also came into existence to eliminate competition between
theatres and to control the availability of films to the theatres. Howe states
that controlling distribution of films gave established East-coast theatres
monopoly over the industry. Studios controlled distribution of their films
through the General Film Company.
Women also
found their way in to the film industry.
An article of the “Women Film Pioneers Project” talks about one of the
most famous Canadian- American actresses, Mary Pickford. Mary Pickford was very
influential because she was not just a film actress but she was also a company
director, film company founding partner, film distributor, screenwriter,
producer, and theatre actress. According
to the article, Pickford was the first movie star to be on the cover of “The
New York Dramatic Mirror.” Silent films were influential to women in society
because it introduced them to new fashions.
Sources:
This source had very god information about theatres and
music for silent films ranging from small store front theatres with a single
pianist to full size theatres with orchestras to accompany the films. This
document also had good information about the expansion of film from east to
west and about holding rights. This website helped me to get a bigger picture
of the range of people that silent films were seen by.
This video is one of the most famous silent films directed
by D.W. Griffith called “The Birth of a Nation.” I found many names of actors
and actresses through this source so I was able to further my investigation of silent
films.
This source had very specific information about 1910s-30s
actress, Mary Pickford. Even though the article was specific to Pickford, I was
able to get good information about the influence of women on silent films and the influence of silent films on women in society.
This source helped me get a better picture of the “age of
the city.” I didn’t really find any information about silent films but this
source did help me write an introductory paragraph.
I pledge.